Ringnuts and Nuts Mourn Russell

I learned today on Carol Novack's blog of Anna Russell's passing.

I think there's a lesson in her journey. From the NY Times:

Ms. Russell gave a number of explanations for why her ambitions changed from being a serious singer to being a serious satirist. Ms. Russell said that one factor was that when she was 16, bones in her face were broken by a hockey stick: “That ruined my acoustic.”“I had no range, no color,” she said, “But I could sing loud. And it grew louder and louder and awfuller and awfuller.”

The result was one of the funniest, most unique voices in history. I adore her version of Wagner's "Ring."

I need to learn how to turn moments of disappointment--clashes between ambition/expectation and the realities of my given talents--into something pure and real. But how? What is the THING I have to offer the world? How am I nutty and unique? Today, I have no idea.

What about you? What is your unique thing? How has accident shaped it? When did the river reroute, and did you follow the new route, or fight to get back on course?

My Untamed Thoughts Accumulate Like Laundry

I think I’m suffering from Blog Procrastination. It’s what happens when I have way too many things to talk about and next thing you know the list is a mile long. Anyway, here’s what I’ve been reading, in a chaotic burst.

My friend Pia is down in New Orleans being a Swiss journalist and bilingual blogger. She’s been getting firsthand stuff since Katrina (flew down from NY with her cameraperson a week after the storm, been there on and off since) and her followup has proven quite interesting—a cross between a European view of this distinct American culture and a humanitarian view on the current money flow problems. Check her out! And don’t skip the video from Troy “Trombone Shorty” Andrews.

My other journalist friend Rob moonlights from his financial-journalist job on his blog, The Luna Park Gazette. He’s been exploring his Brooklyn roots, and talking about his Dad’s recent move to a rehab facility following a stroke. The facility is in Coney Island , and in typical Rob gallows-humor, he remarks, “the Stillwell Avenue station is the end of the line, literally, for several trains. Walking into this facility, it’s hard not to think of the word ‘terminal.’” Check out his post to find out what movie is playing in the patient lounge…thanks Rob, for making me cry at the office…it’s really bittersweet stuff.

I’ve been grooving on the Craftzine Blog too. Lots of daily posts, enabling the proj-aholic. Ach! This should be blocked from my machine. It’s like crack.

Speaking of craft, not crack, have you seen the new Gee’s Bend Quilt postage stamps?



Gorgeous! I can’t stop looking at my new stamps. Or these quilts. To me, these people are like rock stars. They are giving me ideas. Just what I need, more ideas.

I got a radio tip for you fellow podcast junkies: PublicRadioFan.com. It’s an awesome podcast directory, through which I found the Writer’s Voice series. Listen to the session in which Spencer Overton talks about his book Stealing Democracy: The New Politics of Voter Suppression, and Francine Prose talks about Reading Like a Writer: A Guide for People Who Love Books and For Those Who Want to Write Them. I can’t wait to read the Francine Prose book. I may even have to buy the hardcover.

And also on the literary front, Tin House #29 is a must-buy. Not only does it have a cover and several graphic pages by Lynda Barry (plus an interview with same, in which she talks about selling her work on Ebay), it has superheroes dug out of the mothballs, drawn by younger versions of lit-heroes Michael Chabon, Jonathan Lethem, Chris Offutt, et al. This is a full-color dream of an issue.

"The Holocaust Kid"--Staged Reading

One of my mentors, Sonia Pilcer, wrote a linked short story collection called The Holocaust Kid, then adapted it into a play. I'm going to the Friday night performance. See you there?

Here's from my Amazon review of the book:

In a world where there seems to be a code of rules about how the Holocaust should be discussed, Sonia Pilcer dares to dissect the rules themselves, from a very personal vantage point, in The Holocaust Kid. This collection of stories centers around Zosha, a very American young woman whose parents are survivors. The weight of the Holocaust and the necessity of remembrance is an everpresent burden to Zosha, for whom these "memories" are important but also surreal, dependent on the multitude of stories shared among her parents and their friends. Survivor's guilt is passed down to the second generation, in an adulterated, confusing form that leaves Zosha simulaneously alienated and obsessed with the residue of the war.


Friday, October 13 @ 8:30 pm
Saturday, October 14th @ 3:30 pm

The Ensemble Studio Theatre
549 West 52nd Street (between 10th & 11th Aves)
call 212-247-4982 for reservations
with
Elizabeth Aspenlieder, Seth Kanor,
Nancy Rothman & Edgar Weinstock
directed by
Susan Willerman

Octoberfest 2006!
suggested donation $10/5

And I Thought I Was a Proj-Aholic.

On a tip from Make Magazine, I went to a Swap-o-Rama on Sunday, held at Third Ward in Williamsburg. Here's how it worked: you bring a bag of clothes you don't want and $10. People sort the stuff onto tables, and you wander around and take as much as you can carry. During breaks from the digging, you can have a cocktail, talk to a stylist, or learn how to make your own maxipads.

They had lots of workshops, like tee shirt redesign, silkscreen, applique, and my personal favorite, re-knitting. Look, they have samples of re-knit tee shirt, denim, and even plastic grocery bags.




I scored a zebra striped raincoat and some red snake-patterned pants. And, I got a free copy of the new Craft magazine, which has cool articles about knitting with telephone poles and embroidiering your skateboard, among other things. Craft has a whole slew of photos of the Swap-o-Rama here at flickr.

Pics from my Trip to Beautiful

I went to visit my family out West. (I'm from there, though I've lived in NYC longer than anywhere else.) My first stop was Snoqualmie, Washington, where my folks live, in the foothills of the North Cascades. My brother flew up from Los Angeles and the two of us went on a hike to Wallace Falls. He took the above pic of me, under the evergreen canopy, sheltered from both rain and light.

I'll leave the family out of the pictures, since I haven't asked their permission. I keep forgetting to do that. But I did see a few things other than family. Like a whole lot of coffee kiosks. This is a phenomenon we don't have out East. We don't have windmills that serve cappuccino in the middle of nowhere.



In Brooklyn, we don't have mountain mist:



Or its cool byproducts, like moss-covered trees:



We got to sit and watch a herd of about 60 Roosevelt Elk, outside North Bend, Washington, where they used to film Twin Peaks. (Obviously, I didn't get too close to the big guys.)



And I got some gardening tips from my talented stepmom. Check out her chard!



I had a blast from the past, driving past this "Wayside Chapel," about the size of a big doghouse, which I used to love when I was little. It shrank a LOT.



Then my bro and I flew down to LA for the weekend. We went to the Museum of Jurassic Technology, where they had a beautiful exhibition of portraits of Soviet space dogs. Highly recommended! Plus, the tea is free!

I had a day alone in LA, so I bought tee shirts at my favorite thrift store in Culver City, strolled the beach a little, and went to LACMA for the very-cool Breaking the Mode show. 1980's fashion was so wild! Issey Miyake is such a brain! He's is the one who inspired me to go to fashion school, where I got jaded fast and transferred to the sculpture department. But this show made me remember what I used to love so much about sewing. Maybe I'll dig out the old machine.

And I got to hike Runyon Canyon with my bro, his excellent wife, and many cute dogs I don't know.



The dogs were grabbing slivers of shade, gulping water, and panting like crazy. Me, I wish I brought my sunglasses. Here I am with the Hollywood sign sticking out of my forehead.

Countdown to Forty

In the last remaining hours of my thirties, I am doing irresponsible things like blogging at work. Please forgive me, work. I am still a tender young thing. I am also wearing pink striped socks, which are totally inappropriate.

Tomorrow I'll be crossing the line. Me and my birthday-mate Sherman Alexie. Happy birthday, Sherman, and have a great reading tonight at the New Yorker fest! I won't be there, I was too slow to get tickets.

This weekend I celebrate by eating french toast at the diner, then going to the movies, probably The Science of Sleep. And hugging my incredible Brooklyn family. Especially that cute guy I married.

One More Thing. Sit!

Before I go, rock out with me to this Cardigans song. Cute animal alert.

I'm Off to the West Coast

I probably won't post for at least a week. I'm off to Seattle and Los Angeles for an overdue visit with my family, plus a couple college pals. I look forward to walking some REAL hills. These gentle slopes of Brooklyn don't quite cut it for this western girl. My brother is even talking about a real hike, to Wallace Falls in the Cascade mountains. If I attempt it, I promise pics for you all.

In the meantime, enjoy wildman poet Todd Colby's brand new blog, Glee Farm.

Or spoil the surprise of Project Runway's big 4 finalist collections, pic links are at Project Rungay. Nice threads! Okay, I admit it. This craftaholic is obsessed with that show. Problem-solving, oddball characters, and needlework. What more could you ask for?

See you all in a week.

Sharing the Mic with Some of My Favorites

Hey! You Tri-Staters, come on down to Sutra next Saturday and hear me read some actual poetry, with like line breaks and everything.

I'm so stoked to be reading with these people.

SPIRIT OF HOWL! FEST
WHEN: SATURDAY, SEPTEMBER 16 7:30-10:00
WHERE: SUTRA LOUNGE http://www.sutranyc.com
16 1ST AVE(BET. HOUSTON & FIRST ST)
PH: (212) 677 9477
$8 ADMISSION
SLIDING SCALE POETRY PRESENTS:

REGIE CABICO-Regie has appeared on MTV's Def Poetry Jam, PBS's In the Life, and in over 30 anthologies. http://www.globaltalentassoc.com/site/clients/cabico.htm

ANNE ELLIOTT:-Anne is a fiction writer/poet/ ukulelist/ feral cat tamer, and author of the reknowned http://Assbackwords.blogspot.com.

BOB HOLMAN- Recently dubbed a member of the "Poetry Pantheon" by N.Y Times Magazine. Holman has been crowned "Poetry Czar" (Village Voice), "Dean of the Scene" (Seventeen), and this generation's Ezra Pound(San Francisco Poetry Flash). http://www.bowerypoetry.com

SAPPHIRE- Sapphire's books include American Dreams, Black Wings & Blind Angels, and Push; NEA chairman John Frohnmayer was fired when he defended her work.

JACKIE SHEELER- Recently featured in the New York Times, poet laureate of Riker's Island, Jackie has two books and one CD out, is the talk in Talk Engine, and has hosted a weekly reading for the last seven years at Pink PonyWest. http://www.poetz.com

LARISSA SHMAILO-Larissa has a CD, The No-Net World, and teaches the class Publish, Perform, or Perish! http://larissashmailo.blogspot.com

HAL SIROWITZ- Hal is former Poet Laureate of Queens, reads Brooklyn work.

ANGELO VERGA- Angelo is a poet, teacher, editor, curator of literary events, five collections of poetry, currently engaged in "deep research" for a book of love poems.

MC CHOCOLATE WATERS- Chocolate is a pioneer performance artist, director of Eggplant Publications and bon vivant. http://www.chocolatewaters.com

And for more info on other SPIRIT OF HOWL events, click here.

An Interview With Fiber Artist Angus Barr

Angus Barr rests in the middle of his latest perfomance/installation, "Diner."

AE: Angus, I've been following your work for the past year or so, and I am especially curious about the titling. What is the significance of "Diner?"

AB: Sure. The title, like all my titles, is a reference to the timeframe of the work. My benefactors left me with the materials for the duration of a trip to the diner for breakfast. So I usually have a small time period in which to execute a work, but this time I had a good two hours.

AE: Many call your major work of last year, "Ten Minutes," a tour de force.

AB: Well, I was in better shape back then. My benefactors left me with three balls of blue acrylic yarn and they went into the basement for ten minutes.

AE: I saw the result. You managed to unroll three balls and wrap them around chairs, up over tables, and into three rooms.

AB: Yes, my experience in dance and the martial arts was instrumental in that work. I've taken a much more cerebral approach with "Diner," however, plus, I'm working with an assistant, which is an adjustment.

AE: How so?

AB: Well, she's a little green. Enthusiastic, but I'm not used to the verbal interplay. But we'll get there. It's a new process, far less impromptu and improvisational, but due to the larger time frame, we were able to put some care into the placement of the material. I consider this one a drawing, where the other works were more performances.

AE: What are some of the other new aspects of "Diner?" It does feel like a departure.

AB: I'm working with rag strips for the first time. So instead of one long, continuous line, it's a collection of shorter ones. Metered lengths, like bars of music. It's much harder to harness the material, and to draw the eye into neighboring rooms.

AE: Do you consider yourself a formalist? Who are your influences?

AB: Well, there is the obvious draw from Andy Goldsworthy, who was a huge influence on me in my earlier days: his respect for found materials and for the investigative experience. But he has a level of patience that I haven't learned yet. Also, Eva Hesse, from a formal point of view, her sence of gravity and materials. And I've learned a lot from Cy Twombly and his sense of drawing and mark making, the mark as "signature," like handwriting. I also consider myself an American artist, hence the use of traditional craft materials. Yarn, used in the making of afghans (which I enjoy), and now the rag strips, which are traditionally used for woven or braided rugs (which are great to curl up on as well). I have a great respect for artists who work in the tradition of American crafts, such as story-quilt maker Faith Ringgold. They display a resourcefulness and a respect for the past that I find moving. But maybe because my memory is shot, for me it's more about the present. Improvisational play, in the moment. I find inspiration in jazz music too, Miles Davis, Coltrane, whoever my benefactors have on the stereo, I suppose.

AE: I noticed you used the rag strips to frame the Adidas in the center of the work. Do you consider this a nod to pop art, and the presence of brand names in the American psyche?

AB: I don't really think about brand names. I'm a cat, remember. Maybe when it comes to kibble, but I don't follow shoes.

AE: Of course. Which leads me to another question: it's no secret that you spent several years as a homeless feral on the mean streets of Brooklyn, and have experience in gang warfare. I know you've put that life behind you, but do you find any residue of it creeping into your work?

AB: It's hard not to draw that conclusion, though honestly I'm not sure. My homies on the street were graffitists, and their main medium was urine. The problem with olifactory art is that it's limited to a four-legged audience. So getting civilized, and having human benefactors, that's necessitated exploring new materials. Plus, after my mysterious surgery two years ago, my pee is not what it used to be.

AE: Well, thank you Angus for taking the time to talk to us.

AB: My pleasure. Say, is there any food in that bowl?

Shall We Loaf, While Loafers Blog?

I didn't get into Bread Loaf this year. Maybe I shouldn't have sent a 2700 word story that uses the word "fuck" 48 times. I mean, 2% of the story was the word "fuck." What was I thinking?

But hey, if I had gotten in, I wouldn't have had the mindblowing experience I did at Lynda Barry's class. (Her educational sidekick says, "Blow your mind...with your own mind!") So I have no regrets. And thanks to the blogosphere, I can get the Bread Loaf experience once removed, without sleep deprivation or mosquito bites.

So, here they are:

Mary Akers is a regular Bread Loaf staffer, who gives not only an inside scoop, but also very detailed accounts of the craft classes. Ursula Hegi sounds like an awesome instructor!

Cliff Garstang is returning to the conference as well, and finds that he can relax a bit more as a result, no longer compelled to do every social event. Sounds like he has found some good insight on a story that he has been struggling with.

Laila Lalami was a waiter last year, and now with a successful book under her belt, is a fellow. She taught a craft class on cross-cultural narrative, has been fighting back big mosquitoes, and is enjoying time away from the computer.

Katrina Denza is there for the first time, and has gained inspiration to work on her novel.

And poets have their moment in the blog spotlight too, thanks to the poetry foundation, who has recruited several dispatchers, starting with the head waiter, who has a new appreciation of the feather boa.

Hey, and if that's not enough, you can read The Crumb, the daily newsletter.

Stone Mosaic by My Old Classmate Leslie Samuels

Wouldn't you love this for your bathroom wall? My friend Leslie designed and built it. We studied performance art together in the MFA program at UC San Diego. Boy, I remember some wild spectacles put on by her and other friends, both in San Diego and here in NYC. I got to be in several of them...as a carnival barker, or a flying angel (hanging by bungie cord--it was FUN!), or a Vestal Virgin.

Like all of us, Leslie has continued to play with materials and images, even if performance is a less frequent endeavor. I turned to writing (and craftaholism), and she turned to stonework. Her years of experimentation with jobsite scraps is really paying off; she definitely knows her way around it, cutting complex curves, veiny leaves, making tabletops, foyer floors, bathroom walls, backsplashes. Check out her new website, my description does them no justice. What a life, on the top of a mountain in North Carolina!

Do you need a new fireplace? Swimming pool? She's available for hire, and might even bring her big, cute Newfoundland to work with her. Or, smaller pieces can be shipped for your local handyperson to install. Sorry, I have no pics of the dog.

It's so fun, watching talented people evolve.

Glitter Folk!

Guys, check out Mr. Solo. I can't stop singing along to his his songs "Genius" and "Industree." Such verve! Such a voice! What haunting eyes! Move over Gary Glitter and David Bowie, there's a new sheriff in town, and he's wearing a big, beatiful cape.

Recommendations on "PK Lit?"

I started Allan Gurganus' PLAYS WELL WITH OTHERS this morning, and I'm kicking myself, thinking, why didn't I pick up this book before? I just happened across it, appropriately, in the fabulous book section of Housing Works Thrift Shop on the Upper West Side. Glad I grabbed it. Anyway, one of the characters is an artist-PK (Preacher's Kid) like me, and it's an interesting, sensitive, funny portrayal through the eyes of his less-Lutheran friend. The book opens with the PK dying of AIDS at St. Vincents Hospital, asking his caretaker-friend to clear all the sex toys from his apartment before the parents show up for a final visit. Poignant, funny--dildoes stacked like "cord wood" in the broom closet--I can't wait to read on.

What does being a preacher's kid do to one's identity? This is one of the themes I'm playing with in my new novel project. And in life, I suppose, though I have other identity "themes" there too. My broom closet is way more boring, but I still identify with the character's impulse to "clean up," even when that seems like a silly notion.


So now I'm brainstorming, trying to think of other works of literature with preacher's kid characters or authors. Any suggestions? I have the complete oevre of James Baldwin on the shelf, and most of Tennessee Williams and Darcey Steinke. Also have Marilynne Robinson's GILEAD on my to-be-read stack. Any others you have enjoyed?

Oh, How I Love My Writer's Group

I just got back from write club, where as usual, I learned a lot. You incredible women! You keep me honest! You read deeply! You write deeply! It's a joy and an inspiration to read your work! And I feel fiercely protective of your work, like I do about my friends' children. You midwives! We all know it's hard, and we're in it together, breathing our Lamaze breaths as the raw, bloody stuff hits the page! We cradle it, clear away the mucus and gunk and gush over the beautiful living thing! Oh, how exciting it will be when the world gets to meet your material!

Thank you!

Proj Rock! Mudpies, The Grownup Kind.

Have you ever made hypertufa? It's equal parts peat moss, cement, and sand. Add some water and you have some wonderful mud. You can make just about anything out of it...planters, water features, etc. It's porous, so it grows algae and moss nicely, depending on where you put it.


I'm making stepping stones. The molds are rings of cardboard. I line them with garbage bags, which gives them a smooth finish. Ideally, you have a level place to do it, but I don't. It's a crapshoot. Mostly I like mixing the cement.



I put rocks inside them. Hopefully they'll look cool when the cement dries. This is my first experiment with rocks, so I'm not getting too fancy with the design. These are used lava rocks from the barbecue, plus a couple I stole from the beach.



You dump the mud in, then slap it with the tool to get out the bubbles. It looks like jiggling fat! And check it, the two stones together look like a butt!

A Visit from Mad Max!

We just had a wonderful visitor, Max the Cat! He and his person were passing through Brooklyn on the way home to Maine.

Max has had surgery near his spine and so stuff below the waist doesn't work so good. But he gets around just fine, especially when food is involved. You should have seen our feral cats react to the prospect of a paraplegic feline. Like the way young children react to the disabled--what the hell is that!? Plus, he does send off that anger vibe. Though he is softening in his old age.

Only one serious squabble, when Max came near Wilbur the Dog's food. Willie did like he does with dogs: the growl, then the bigger growl, then the full-on attack. Poor Max shit his pants. Only he wasn't wearing any.

Here's Max set up in the passenger seat on his way home. He loves to go for a ride. But you better let him choose the tunes.

A New Era in Security Theatre

Is flying naked the only thing left? I have to thank blogger and securitologist Phil Libin for introducting me to the term "security theatre." It's that that weird post-9/11 paradox where taking visible security measures actually compromises security. Face it: check points of all kinds give us a false sense of safety (that is, if you're not from a "questionable" demographic), and create exactly the kind of human bottlenecks terrorists love. And recent allegedly-thwarted events have launched a new wave of it.

Will hairstyles change now that we can't travel with gel? Will the airlines have enough water to hydrate the passengers? What kind of air rage will ensue when we are denied our own choices for inflight entertainment (ipods, laptops, or even books and pencils), and have to watch the stupid censored movies?

Don't get me wrong. I'm all for thwarting terrorist plots. I saw and breathed some awful stuff downtown 5 years ago, and I do consider myself lucky to be here. But in my opinion, the only effective security measures are invisible ones. Which have their own ethical quagmires. And what thwarts terrorist attacks is not metal detectors, it's plain old espionage, efficient sharing of intelligence, and being awake enough to identify a serious threat. In other words, real intelligence, the kind you have between your ears.

Here are a couple funny archive posts from Phil's blog, Vastly Important Notes. In one, he analyzes the security theatre at a Jamaican airport. And in another, he introduces Mr. Driver's License.

Mark Pritchard's Interviews--I've Joined the Party

If you haven't discovered Mark Pritchard's WAYWO (What Are You Working On?) interviews, check them out. He's just added me to the corral of hard-working writers. While you're at it, look at his blog. Thanks, Mark!

More Views on Lynda Barry's Class, and Pics

Well, I'm back in the thick of work and trying to be "present" while I attempt to solve database problems. In the past, I went for "focus," or "concentration," but I like the new name better. I prefer to write graceful, simple code, but it doesn't always come out that way, and I have to pepper it with goofy notes, in case I "get hit by the bus," in my colleague's words. And in my art life, I like to write graceful, simple prose too, but that doesn't happen either. So, my new goal is to practice. And occasionally, the grace comes. And I'm writing "comments" around my fiction too, because there are plenty of buses out there to be hit by. (Knock wood here. The underside of the table is best.)

Other bloggers have weighed in on the Lynda Barry class experience. Virginia, one of the friends I went up there with, found herself in tears one day, and recounted, “I can feel my critical, judging self dissolving, and I’m afraid it may be what holds me together.” Boy, can I identify. And Summer, who I didn't recognize until after I was back home (hey! I read her blog!), found the Lynda Barry teacher-persona discombobulating, after having a relationship with her work for so many years. I can identify with that too.

There were probably other bloggers in the class. If I find them, I'll link to them.

Okay, photos. It was a week of non-editing, but be grateful that I stuck my editor mind back on for posting photos, cuz I shot a lot of em. If you click on the photo, you can see it bigger.




This is the lake at 6 AM.








This is me after my Gilligan experience in the hammock.





Here's the trapeze rigging they had in the middle of campus. It was Arts Week, and ordinary citizens were there learning to fly.





On Thursday night, we got to see some of this flying. Plus a mindblowing Mongolian contortionist, and...






Puppets!! Courtesy of the concurrent puppet workshop. They joyfully pranced through our Thursday nite vegetarian dinner.










I loved this one. A big guy in a tie, with a red briefcase that said "Dream Job." God, if only.







On Wednesday, I took a field trip into Woodstock with my friends Marcia and Virginia. We found a house decorated with tile...






Marcia, an appreciator and collector of visionary art, was determined to find the maker. No luck.






In Woodstock, we happened upon this grave. He did what he could for the master. I was touched.






Then we went to another visionary art site, Opus 40. Stone quarried and arranged onsite, a single sculpture spanning 40 years. My inner sculptor was jealous. It was a lesson in stick-to-it-iveness.




This greeter at Opus 40 was way more friendly than the human greeter, who chided us for not understanding they were closed. Their signage was inadequate.





A sampling of the veggies we ate daily. These were primarily there for us to contemplate, I think. I never did figure out how they kept the cute rabbits from eating it all. This was where I saw turbaned Kundalini yogis practicing their breathing every morning. Gorgeous swiss chard, cabbage, and sunflowers.



And finally, I did find some kitty love at Omega. I don't know if I find them or they find me. This one was friendly, and a good hunter. Probably an illegal companion for one of the 250 staff members. (Who were beautiful, earnest, and very fun to talk to as well.)


I wonder how Black Kitty deals with the adorable groundhogs, who are not shy, but still, I did not get to photograph. I'll never forget a fat little Punxsutawney Phil peeking into the yoga pavilion one morning while we all were engaged in asana. We humans must look very weird to them.